Fonts

Benedikt

TYPEDESIGN BY PROF. HANS R. HEITMANN

____ A stainless Renaissance antiqua with provocative italics, derived from monumental roman letterforms and their wax tablet counterparts.

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Romis

TYPEDESIGN BY PROF. HANS R. HEITMANN

____ A roman capital typeface, renaissance style. Individually shaped serifs and the absence of any geometric lines signify our humanist interpretation of the Capitalis Monumentalis. »Romis« features true small caps instead of a lowercase alphabet. It comes in six weights and adds a narrow oblique to every weight for maximum flexibility.

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Distel

TYPEDESIGN BY PROF. HANS R. HEITMANN

____ A decorative display font, derived from historical uncial scripts. Spiky terminals, rooted in vector construction, add a contemporary touch. This font works great for headlines, but at the same time offers unexpected readability even in small sizes. Distel currently supports more than 37 languages and comes with a set of beatiful alternates.

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Byzan

by PROF. HANS R. HEITMANN

____ A brush display font, uncial style, derived from the historical shapes of the 5th century. Lowercase and uppercase letters differ only slightly; many alternative shapes provide a good amount of flexibility. The excessive brush style with its origin in formal calligraphy makes Byzan an excellent headline font.

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